Art & Artists Inspired by J.R.R.Tolkien
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Cheyenne Angel
- Posts: 43
- Joined: Wed Sep 20, 2006 10:51 am
- Location: France
- Contact:
more news about John Howe !
IDEACITY ON LINE
With the kind permission of IdeaCity, JH put the first-ever video on his site. Something about pencils... Here and enjoy the video it's great! very interresting
and more...
a company called Galatia Films would do a production called "Reclaiming the Blade". The film is narrated by John Rhys-Davis, and has interviews with all manner of famous people who fiddle around with sharp pointy things.
With folks like Peter Johnsson, John Howe, Bob Anderson, John Waller and others participating, not to mention the likes of the Royal Armouries and the Weta Workshop, a rich program...
Reclaiming the Blade - here
IDEACITY ON LINE
With the kind permission of IdeaCity, JH put the first-ever video on his site. Something about pencils... Here and enjoy the video it's great! very interresting
and more...
a company called Galatia Films would do a production called "Reclaiming the Blade". The film is narrated by John Rhys-Davis, and has interviews with all manner of famous people who fiddle around with sharp pointy things.
With folks like Peter Johnsson, John Howe, Bob Anderson, John Waller and others participating, not to mention the likes of the Royal Armouries and the Weta Workshop, a rich program...
Reclaiming the Blade - here
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Iolanthe
- Uinen
- Posts: 2339
- Joined: Thu Aug 25, 2005 2:21 pm
- Location: Washing my hair in the Sundering Sea
Thanks Cheyenne
! I've finally had time to watch the John Howe talk and it's wonderful. I urge anyone interested in John Howe's art and art in general to listen. I love his reminder that we all drew up to the age of five or so and then many of us lost it along the way. But we all started out as artists.
His analogies between his drawing book as one of the earliest laptops and his pen as a piece of software upgraded from 2B to 4B is very, very funny and makes some good points along the way. I use the 'eraser' programme quite frequently
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Depsite his terrible 'nerves' about doing the talk and being a man who draws because he 'cannot find words', it's delightful.
His analogies between his drawing book as one of the earliest laptops and his pen as a piece of software upgraded from 2B to 4B is very, very funny and makes some good points along the way. I use the 'eraser' programme quite frequently
Depsite his terrible 'nerves' about doing the talk and being a man who draws because he 'cannot find words', it's delightful.
Now let the song begin! Let us sing together
Of sun, stars, moon and mist, rain and cloudy weather...
Of sun, stars, moon and mist, rain and cloudy weather...
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Riv Res
- Manwë
- Posts: 2111
- Joined: Fri Jun 24, 2005 6:35 am
- Location: Walking the fields of the Pelennor with the King
There is a marvelous artist by the name of Matt Stewart who has done this extraordinary piece of Arwen and Aragorn meeting in Lothlorien.
© Matt Stewart
But Aragorn was grown to full stature of body and mind, and Galadriel bade him cast aside his wayworn raiment, and she clothed him in silver and white, with a cloak of elven-grey and a bright gem on his brow.
© J.R.R.Tolkien
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Merry
- Varda
- Posts: 3263
- Joined: Wed Aug 17, 2005 7:01 am
- Location: Middle-west
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Riv Res
- Manwë
- Posts: 2111
- Joined: Fri Jun 24, 2005 6:35 am
- Location: Walking the fields of the Pelennor with the King
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Riv Res
- Manwë
- Posts: 2111
- Joined: Fri Jun 24, 2005 6:35 am
- Location: Walking the fields of the Pelennor with the King
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Iolanthe
- Uinen
- Posts: 2339
- Joined: Thu Aug 25, 2005 2:21 pm
- Location: Washing my hair in the Sundering Sea
Maybe that's why I like it so much
!
What a beautiful painting
. The clothes and the dappled light in Lothlorien are just how I imagined it. Very appropriate for our 'Lothlorien' LOTR chapter discussion. I also love 'Hope Returns' with Faramir and Eowyn on his website.
What a beautiful painting
Now let the song begin! Let us sing together
Of sun, stars, moon and mist, rain and cloudy weather...
Of sun, stars, moon and mist, rain and cloudy weather...
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Iolanthe
- Uinen
- Posts: 2339
- Joined: Thu Aug 25, 2005 2:21 pm
- Location: Washing my hair in the Sundering Sea
Looking at "Hope Returns" again, it's very Pre-Raphaelite with more than a hint of Burn-Jones. And "Honor Restored" is wonderful with Merry and Pippin taking refuge by the tree with Boromir standing staunchly in front of them.
Now let the song begin! Let us sing together
Of sun, stars, moon and mist, rain and cloudy weather...
Of sun, stars, moon and mist, rain and cloudy weather...
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Lindariel
- Posts: 1062
- Joined: Fri Sep 23, 2005 8:30 pm
- Location: The Hall of Fire, Imladris (otherwise known as Northern Virginia)
I rather like "I Am No Man!" although I wish they hadn't monkeyed with Tolkien's text for that line: "But no living man am I! You look upon a woman . . . Begone, if you be not deathless! For living or dark undead, I will smite you, if you touch him."
I have always loved Tolkien's description of Eowyn's confrontation with the Lord of the Nazgul. I REALLY wish PJ had used the incredible line, "Begone, foul dwimmerlaik, lord of carrion! Leave the dead in peace!" Come to think of it, I really wish he had left the entire scene intact as Tolkien wrote it. Far, far more powerful than the simplified and abridged (and inaccurate!) version we get in the film.
This is a nice painting indeed, showing Eowyn in her golden glory against the blackness of the Morgul Lord, with his invisible head beneath his crown. Why didn't PJ do that? Much spookier than a big black spiked helmet.
I have always loved Tolkien's description of Eowyn's confrontation with the Lord of the Nazgul. I REALLY wish PJ had used the incredible line, "Begone, foul dwimmerlaik, lord of carrion! Leave the dead in peace!" Come to think of it, I really wish he had left the entire scene intact as Tolkien wrote it. Far, far more powerful than the simplified and abridged (and inaccurate!) version we get in the film.
This is a nice painting indeed, showing Eowyn in her golden glory against the blackness of the Morgul Lord, with his invisible head beneath his crown. Why didn't PJ do that? Much spookier than a big black spiked helmet.
Lindariel
“Therefore I say: Eä! Let these things Be! And I will send forth into the Void the Flame Imperishable, and it shall be at the heart of the World, and the World shall Be.”
“Therefore I say: Eä! Let these things Be! And I will send forth into the Void the Flame Imperishable, and it shall be at the heart of the World, and the World shall Be.”
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Merry
- Varda
- Posts: 3263
- Joined: Wed Aug 17, 2005 7:01 am
- Location: Middle-west
I agree completely, Lindariel . . . AND another thing that should have been included is that Eowyn LAUGHED! either at the Witchking or at the pun, or both. I think the line is something like it was the strangest sound that could have been heard at that horrible battlefield.
Sing and be glad, all ye children of the West,
for your King shall come again,
and he shall dwell among you
all the days of your life.
for your King shall come again,
and he shall dwell among you
all the days of your life.
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Riv Res
- Manwë
- Posts: 2111
- Joined: Fri Jun 24, 2005 6:35 am
- Location: Walking the fields of the Pelennor with the King
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Lindariel
- Posts: 1062
- Joined: Fri Sep 23, 2005 8:30 pm
- Location: The Hall of Fire, Imladris (otherwise known as Northern Virginia)
Ah, yes!
The more I read and re-read this scene, the more flabbergasted I am that PJ & Co. tinkered with it at all. Shooting it as written wouldn't have taken any more time than their extended battle scene and recrafted language.
I was also pretty disgusted that PJ had Eowyn show fear when the Morgul Lord advanced with his mace. Clearly, in the Professor's rendering of the scene, Eowyn is fearless -- weeping for the death of her uncle and king -- but fearless in the face of death. She is SEEKING death. I like this painting because it shows us a fearless Eowyn protecting and honoring the body of her fallen lord.
And I love Merry's response:Then Merry heard of all sounds in that hour the strangest. It seemed that Dernhelm laughed, and the clear voice was like the ring of steel. "But no living man am I! You look upon a woman. Eowyn I am, Eomund's daughter. You stand between me and my lord and kin. Begone, if you be not deathless! For living or dark undead, I will smite you, if you touch him."
The winged creature screamed at her, but the Ringwraith made no answer, and was silent, as if in sudden doubt.
Ah, there it is again -- Pity!Pity filled his heart and great wonder, and suddenly the slow-kindled courage of his race awoke. He clenched his hand. She should not die, so fair, so desperate! At least she should not die alone, unaided.
The more I read and re-read this scene, the more flabbergasted I am that PJ & Co. tinkered with it at all. Shooting it as written wouldn't have taken any more time than their extended battle scene and recrafted language.
I was also pretty disgusted that PJ had Eowyn show fear when the Morgul Lord advanced with his mace. Clearly, in the Professor's rendering of the scene, Eowyn is fearless -- weeping for the death of her uncle and king -- but fearless in the face of death. She is SEEKING death. I like this painting because it shows us a fearless Eowyn protecting and honoring the body of her fallen lord.
Lindariel
“Therefore I say: Eä! Let these things Be! And I will send forth into the Void the Flame Imperishable, and it shall be at the heart of the World, and the World shall Be.”
“Therefore I say: Eä! Let these things Be! And I will send forth into the Void the Flame Imperishable, and it shall be at the heart of the World, and the World shall Be.”